History@Portsmouth

University of Portsmouth's History Blog

Tag Archives | visual sources

fawkes-flook resized

Charting the major milestones of the Space Race: Wally Fawkes and the satirical cartoon

On 1 March 2023 the renowned jazz musician and cartoonist Wally Fawkes passed away aged 98. In his long career, Fawkes illustrated satirical cartoons for The Daily Mail under the pseudonym ‘Trog’. His most famous creation was the comic-strip ‘Flook’, but his illustrative work increasingly focused on British politics. In this blog, alumnus student Daniel Millard […]

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Researching the letters of Allied service personnel in WW2: A student podcast

Recently, the internationally-renowned museum, The D-Day Story, published on their website a podcast recorded in 2022 by three second year History students, Amy Deighton, Jessie Rickman and Sam Marchetti. The students, who are now in the final year of their studies, worked with the museum’s archives as part of their assessment for the ‘Working with the Past’ module, […]

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Poster from the Alexander Korda filk Knight without Armour

“There are no revolutions in well-governed countries” – British film and the Russian Revolution

In this blog, Rob James explores how the events of the 1917 Russian Revolution impacted British film production in the mid-twentieth century. Rob tells us that the chance of a film being made depicting those tumultuous events depended on how they were presented. If the film demonstrated any sympathy towards the revolutionaries, then a ban […]

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The Battle of Culloden

The domestic colonisation of eighteenth-century Scotland

Third year student Kathryn Watts chose an original focus for her dissertation in investigating the eighteenth century attack on Scottish culture. As she argues below, colonialism is often looked at in the global context, but the domestic colonialism of Scotland (and Ireland) predated it, and provided a prototype for many of the colonialist ideas of […]

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Sinister Stalin, the Cold-War Octopus

The cartoonist David Low’s depiction of Stalin as an octopus, published in 1948, sits within a long-standing tradition of monstrous, dehumanised depictions of political enemies.  Octopi in particular have been used in the past to represent the sinister ambitions of Prussia, Britain, France, Nazi Germany, America and the oil industry, amongst others.  But as second-year […]

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