{"id":2805,"date":"2023-03-23T09:00:07","date_gmt":"2023-03-23T09:00:07","guid":{"rendered":"http:\/\/history.port.ac.uk\/?p=2805"},"modified":"2023-03-23T16:36:44","modified_gmt":"2023-03-23T16:36:44","slug":"2805","status":"publish","type":"post","link":"https:\/\/history.port.ac.uk\/?p=2805","title":{"rendered":"Charting the major milestones of the Space Race: Wally Fawkes and the satirical cartoon"},"content":{"rendered":"

On 1 March 2023 the renowned jazz musician and cartoonist Wally Fawkes passed away aged 98. In his long career, Fawkes illustrated satirical cartoons for <\/em>The Daily Mail\u00a0under the pseudonym ‘Trog’. His most famous creation was the comic-strip<\/em> ‘Flook’, but his illustrative work increasingly focused on British politics. In <\/em>this blog, alumnus student Daniel Millard discusses Fawkes’ role in familiarising the British public with the country’s role in the ‘Space Race’ during the Cold War years. Daniel interviewed Fawkes as part of his research for his undergraduate dissertation, ‘<\/em>Exploring together: how curators, correspondents and cartoonists presented the Space Race to the British public, 1957-1975<\/a>‘. Daniel graduated with a first-class BA (Hons) History degree in 2019 and is now working as an optical assistant.<\/em><\/p>\n

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Fawkes self-portrait with his most famous creation ‘Flook’
\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Wikimedia Commons<\/p><\/div>\n

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In recent weeks two reported events have caught the attention. The first has been the news of NASA\u2019s growing ambition to return astronauts to the Moon.[1]<\/a> Attention has also turned to the sad passing of cartoonist Wally Fawkes, better known to readers \u00a0as \u2018Trog\u2019.[2]<\/a> Whilst for many, these two events appear unconnected, for space historians they hold special interest for it was Mr Fawkes, along with his fellow cartoonists, who helped keep the nation abreast of developments during the Space Race years (1957-1975), at a time when Cold War sensibilities ran extremely high.<\/p>\n

Fifty years before Sputnik 1 was sent into orbit, Marion Spielmann concluded that cartoons offer the historian a valuable insight into the \u201cprevailing feeling\u201d of a nation.[3]<\/a> It is surprising, therefore, to note that they have remained a largely overlooked resource for those investigating how the race to the Moon was presented to the British public. This is a clear oversight given that space activities were taking place in a century when the newspaper cartoon emerged as a national institution [4]<\/a>, and seventy-five million newspapers were being routinely purchased every week.[5]<\/a> Many historians, it would seem, have been unwilling to stray beyond scientific, technical, or political treatments and it has been left to devotees of cartoons working outside the field, to extol their importance. Eminent space scientist Professor Colin Pillinger is a good example. Space cartoons, he believed, have the power to close the gap between expert and lay audience and so promote mutual interest in planetary science. [6]<\/a><\/p>\n

In November 2018, as part of my final year dissertation, I was fortunate enough to conduct an oral history interview with Mr Fawkes. Whilst the interview took place four decades after the Space Race ended, it is to be hoped that the information gathered satisfies Portelli\u2019s belief that \u2018informants are usually quite capable of reconstructing their past attitudes even when they no longer coincide with present ones\u2019. [7]<\/a><\/p>\n

It is notable that Britain\u2019s cartoonists charted both the major milestones of the Space Race and the lesser-known aspects of it. In 1965 Stanley Franklin, for example, presented a cartoon announcing the failure of the Russian Luna 4 mission. [8]<\/a><\/sup>\u00a0 How far such detailed mapping of events was led by the need to satisfy readers\u2019 insatiable appetite for space news at the time can be determined through secondary and primary records. In 1948, American cartoonist Eugene Byrnes reminded his British counterparts that \u201cyou can make an acceptable cartoon on any subject on God\u2019s green earth if public interest is thoroughly aroused\u201d, [9]<\/sup><\/a> a sentiment echoed by Fawkes seventy years later when he stated:<\/p>\n

I was working for a newspaper that was read by a lot of people. I felt that I had to shed light on what the public had a personal interest in at the time. My personal interests were never the focus of my work.[10]<\/sup><\/a><\/p>\n

Fawkes\u2019 personal apathy towards space exploration was a direct response to his life-long disinterest in all things mechanical, admitting \u2018I never drove a car and the most advanced piece of technology I owned was my bicycle.\u2019 [11]<\/a> But within his testimony we also get hints of something more profound. Despite an awareness that his outputs were for a wider audience, he acknowledged that his cartoons were \u2018always about my take on something. Many people agreed, but I\u2019m aware that not everyone did.\u2019[12]<\/a> Equally important was his declared understanding that talk around space science at the time was so diverse that \u2018I don\u2019t think it was possible to ever have a \u2018one-sided conversation\u2019. [13]<\/a><\/p>\n

Whilst, in the late 1940s, British cartoonists used their artistic skills to hit back at American suggestions that the nation was in decline,[14]<\/a> there is nothing to suggest a similar attitude prevailed during the Space Race.\u00a0 Britain\u2019s cartoonists, it would appear, were fully aware that their home nation was never going to be a significant player in the story. On 11 August 1965, Michael Heath presented the public with a cartoon depicting a British spectator watching the launch of an American rocket while proudly announcing to his fellow onlookers that the on-board astronaut was wearing a British corn plaster. [15]<\/a> Fawkes himself embraced such pessimism declaring:<\/p>\n

The Space Race was ultimately the big two fighting it out. Russia won with the man in space so America responded by putting a man on the moon. In my opinion, that was very much the end of the game. We were always an onlooker. [16]<\/a><\/p>\n

Such comments mark a significant shift in attitude from a series of cartoons produced by Joseph Lee in 1954 that inferred Britain would very much be part of the upcoming Space Age. [17]<\/a><\/p>\n

Whilst primary evidence confirms that British cartoonists never sought to heroise the Russian cosmonaut, they never knowingly depicted him in unflattering terms as American cartoonists are known to have done. [18]<\/a> Nevertheless, a preponderance of cartoons linked to the Apollo program suggest they generally viewed the United States\u2019 space activity in more benevolent terms. [19]<\/a> For Richard Wevill this hints at a persistence of cordial wartime relationships when Britain and America had fought closely alongside each other. [20]<\/a> For Fawkes, the reason was far simpler. He found it easy to get information about the American space programme at a time when NASA had an open-door policy for the world\u2019s press. [21]<\/a><\/p>\n

Despite the lack of homegrown involvement, it is notable that British cartoonists continued to chart space progress throughout the 1970s – even though global interest had begun to wane after the Apollo 11 moon landing. [22]<\/sup><\/a> In 1972 cartoonist Mac acknowledged the growing apathy when he presented the nation with a cartoon showing bored staff at mission control, Houston, using their screens to watch Disney cartoons instead of monitoring the Apollo 16 mission.\u00a0 Fawkes himself echoed the lethargy declaring:<\/p>\n

I don\u2019t think that the public ever lost interest in space completely, but I\u2019d say that the moon landing was the peak of its popularity. After the moon landing, I couldn\u2019t help but feel \u2018so what\u2019 whenever space was brought up, so I understand how many other people felt at the time. It wasn\u2019t that it was no longer impressive, it just wasn\u2019t as impressive as that initial win.\u201d[23]<\/a><\/p>\n

With the recent announcement of America\u2019s planned return to the Moon and the UK\u2019s upscaling of its own space activities it is to be hoped that interest will be rekindled among Fawkes\u2019 successors. If so, future historians would be well served by keeping a close watch.<\/p>\n

 <\/p>\n

Notes<\/span><\/p>\n

[1]<\/strong><\/a> Nadia Drake, \u201cArtemis I Launches U.S.\u2019s Long-Awaited Return to the Moon\u201d, Scientific American<\/em>, (November 16, 2022), last accessed March 10th<\/sup>, 2023, https:\/\/www.scientificamerican.com\/article\/artemis-i-launches-u-s-s-long-awaited-return-to-the-moon\/<\/p>\n

[2]<\/a> George Melly, \u201cWally Fawkes Obituary\u201d, The Guardian<\/em>, (March 7th<\/sup>, 2023), last accessed March 10th<\/sup>, 2023, https:\/\/www.theguardian.com\/media\/2023\/mar\/07\/wally-fawkes-obituary<\/p>\n

[3]<\/a> M. H. Spielmann, Cartoons From “Punch”, <\/em>Vol. I,<\/em> (London: Bradbury, Agnew & Co Ltd, 1906), v.<\/p>\n

[4]<\/a> Peter Salisbury, \u201cGiles\u2019s Cold War: How Fleet Street’s Favourite Cartoonist Saw the Conflict\u201d, Media History<\/em>, Vol.\u00a012, No. 2 (2006), 157.<\/p>\n

[5]<\/a> Martin W. Bauer, Kristina Petkova, Pepka Boyadjieva and Galin Gornev, \u201cLong-Term Trends in the Public Representation of Science Across the ‘Iron Curtain\u2019 1946-1995\u201d, Social Studies of Science<\/em>\u00a0Vol. 36, No. 1 (2006), 103.<\/p>\n

[6]<\/a> Colin Pillinger, Space is a Funny Place: Fifty Years and More of Space Exploration Seen Through the Eyes of Cartoonists<\/em>, (Barnstorm Productions, 2007), \u00a0ix.<\/p>\n

[7]<\/a> Alessandro Portelli, \u201cThe Peculiarities of Oral History\u201d,\u00a0History Workshop Journal<\/em>, Vol. 12, No. 1 (1981), 102.<\/p>\n

[8]<\/a> Stanley Franklin, \u201cIf Number Five Shot Fails, We\u2019ll Make Sure Number Six Shot Doesn\u2019t\u201d, Daily Mirror<\/em>, December 7, 1965.<\/p>\n

[9]<\/a> Gene Byrnes and Albert Thornton Bishop, A Complete Guide to Drawing, Illustration, Cartooning and Painting<\/em>, (New York: Simon and Schuster, 1948), 134.<\/p>\n

[10]<\/a> Walter E Fawkes, Telephone Interview by Daniel Millard, November 5, 2018.<\/p>\n

[11]<\/a> Ibid<\/p>\n

[12]<\/a> Ibid<\/p>\n

[13]<\/a> Ibid<\/p>\n

[14]<\/a> Allen McLaurin, \u201cAmerica Through British Eyes: Dominance and Subordination in British Political Cartoons of the 1940s\u201d, Journalism Studies<\/em>, Vol. 85, (2007), 694-695.<\/p>\n

[15]<\/a> Michael Heath, \u201cI Understand He\u2019s Wearing a British Corn Plaster\u201d, Punch<\/em>, August 11, 1965.<\/p>\n

[16]<\/a> Walter E Fawkes, Telephone Interview by Daniel Millard, November 5, 2018.<\/p>\n

[17]<\/a> See for example: Joseph Lee, \u201cLondon Laughs: Flying Saucer\u201d, Evening News<\/em>, January 6, 1954;<\/p>\n

Joseph Lee, \u201cLondon Laughs: Hire Purchase\u201d, Evening News<\/em>, July 16, 1954.<\/p>\n

[18]<\/a> Christopher P Lehman, American Animated Cartoons of the Vietnam Era: A Study of Social Commentary in Films and Television Programmes, 1961-1973,<\/em> (Jefferson, NC: McFarland and Company Ltd, 2007), 24.<\/p>\n

[19]<\/a> Colin Seymour-Ure, \u201cFAREWELL CAMELOT! British Cartoonists\u2019 Views of the United States since Watergate”,\u00a0Journalism Studies,<\/em>\u00a0Vol. 8, No. 5 (2007),<\/em> 730.<\/p>\n

[20]<\/a>\u00a0 Richard Wevill, Britain and America After World War II: Bilateral Relations and the Beginnings of the Cold War<\/em>, (London: I B Tauris & Co Ltd, 2011), 1.<\/p>\n

[21]<\/a> David Meerman Scott and Richard Jurek, Marketing the Moon: The Selling of the Apollo Lunar Program<\/em>, (Cambridge, MA: The MIT Press, 2014), vii.<\/p>\n

[22]<\/a> Richard S Lewis, \u201cEnd of Apollo: The Ambiguous Epic\u201d, Bulletin of the Atomic Scientists<\/em>,\u00a0Vol. 28, No. 10 (1972), 43.<\/p>\n

[23]<\/a> Walter E Fawkes, Telephone Interview by Daniel Millard, November 5, 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"

On 1 March 2023 the renowned jazz musician and cartoonist Wally Fawkes passed away aged 98. In his long career, Fawkes illustrated satirical cartoons for The Daily Mail\u00a0under the pseudonym ‘Trog’. His most famous creation was the comic-strip ‘Flook’, but his illustrative work increasingly focused on British politics. In this blog, alumnus student Daniel Millard discusses Fawkes’ role in familiarising the British public with the country’s role in the ‘Space Race’ during the Cold War years. Daniel interviewed Fawkes as part of his research for his undergraduate dissertation, ‘Exploring together: how curators, correspondents and cartoonists presented the Space Race to the British public, 1957-1975‘. Daniel graduated with a first-class BA […]<\/p>\n","protected":false},"author":5,"featured_media":2814,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[540,7,4,1],"tags":[524,95,550,14,11,182,98,13],"class_list":["post-2805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alumni","category-news","category-research-in-focus","category-uncategorized","tag-alumni","tag-britain","tag-cold-war","tag-history","tag-slider","tag-space-race","tag-twentieth-century","tag-visual-sources"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/history.port.ac.uk\/wp-content\/uploads\/2023\/03\/fawkes-flook-resized.jpg?fit=620%2C300&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s91PlX-2805","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/2805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2805"}],"version-history":[{"count":12,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/2805\/revisions"}],"predecessor-version":[{"id":2824,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/posts\/2805\/revisions\/2824"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=\/wp\/v2\/media\/2814"}],"wp:attachment":[{"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/history.port.ac.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}