“Sam’s dissertation was an outstandingly researched piece of work. It synthesised contextual and historiographical issues regarding masculinity and film in the post-Thatcher era in a conceptually interesting way, and made great use of visual sources as a cultural lens from which to understand anxieties surrounding changing concepts of masculinity in the late-twentieth and early twenty-first centuries. Sam demonstrated an excellent understanding of film culture, not just in the period studied, but across the twentieth century, and the way in which he revealed how certain masculine filmic archetypes were shaped and modified in response to the shifting contemporary climate was nothing less than compelling.” – Dr Rob James, Sam’s dissertation supervisor. […]
