Tag: nineteenth century

  • Collaboration in the Archive

    The University of Portsmouth History team’s Mike Esbester has recently had a co-authored open access article published, in Exchanges: The Interdisciplinary Research Journal. It’s part of a special issue, marking the 50th anniversary of the Modern Records Centre (MRC) at the University of Warwick.

    The MRC is the major repository for archives of trades unions and employers organisations, with a particular strength in transport collections. Mike has been using the MRC for his research for over 20 years.

    Over the last five years the MRC has been an integral part of the ‘Railway Work, Life & Death’ project, as a collaborator and institutional co-lead, alongside the University of Portsmouth and the National Railway Museum. The project also works with The National Archives of the UK and the RMT Union. The project is looking at accidents to British and Irish railway workers before the Second World War.

    Working with small teams of dedicated volunteers, the project is transcribing accident records and making them freely available for researchers to use, via the project website. So far the project has made available over 48,000 records, and the volunteers are working on a further 70,000 cases.

    Page from a booklet, with text describing an accident, accompanied by a posed photograph, showing a fireman on top of a steam engine's tender as it was moving, about to be struck by a bridge.
    Page from a booklet, with text describing an accident, accompanied by a posed photograph, showing a fireman on top of a steam engine’s tender as it was moving, about to be struck by a bridge.

    Given collaboration is integral to the Railway Work, Life & Death project, when the MRC wanted to mark its 50th anniversary in 2023, Mike and the project team were keen to be involved. Mike spoke about the project, alongside volunteer Cheryl Hunnisett and RMT President Alex Gordon. Having voices outside the traditional higher education setting was fundamental to the talk, another way of putting into practice the co-creative ethos of the project.

    This has followed into the publication, ‘Collaboration in the Archive’. It looks at the Railway Work, Life & Death project and the MRC, reflecting on the project’s work, including the successes and challenges of working collaboratively. As a point of principle, it was co-authored. It features two of the project volunteers, Cheryl Hunnisett and Stephen Lamb, the MRC’s Senior Archivist James King, RMT President Alex Gordon, and Mike.

    Just as importantly, in terms of reaching outside higher education, the article is open access, meaning it’s free to download!

  • Discovering a railway-worker ancestor

    Discovering a railway-worker ancestor

    Our own Dr Mike Esbester was featured on BBC 1’s ‘Who Do You Think You Are?’ on 5 September 2024, helping Rose Ayling-Ellis learn more about her ancestor’s railway accident.  The episode is available to watch on BBC iPlayer: https://www.bbc.co.uk/programmes/m0022n0p

  • Polar Exploration and the Imperial Imagination: the social influences that drove arctic explorers to risk all

    Polar Exploration and the Imperial Imagination: the social influences that drove arctic explorers to risk all

    A cross in front of a polar landscape.

    Most histories of polar exploration focus on the biographies and psychologies of heroic, driven individuals.  Matthew Voyce’s UoP BA history dissertation, Polar Exploration and the Imperial Imagination 1845-1922: Race, Science and Competing Approaches, sought to go beyond this to understand the complex ways in which these events connected with the broader social influences and ideas of their time, including imperialism, and the impetus towards scientific advancement.  Matthew’s supervisor was Dr Matt Heaslip. Below Matthew writes about his approach to the topic, and his experience of the process of writing the dissertation.

    Captain Scott’s grave is a lonely place. A solitary cross, hastily nailed together from pine board, watches the endless, unsettling Antarctic plain from its home on Observation Hill. This isn’t where Scott is buried. He’s buried underneath the drifting snow and shifting ice of the Ross Ice Shelf, forever part of the continent.

    Of course, Scott wasn’t the first man to die during one of the myriad British expeditions to both the north and the south pole. He knew better than most the risks he was running, the suffering he would have to endure. So why did he, and countless others, go?

    This is ultimately what my dissertation is about. Traditional orthodoxy places the primary motives for polar exploration in something deeply ingrained within these explorers, a certain attraction to the desolation of the poles. I believe there is some truth to this. I do not dispute the drive and ferocious bravery of every soul who ventured their lives for these voyages. But they were human. They lived in complex social systems riddled with doubt and contradictions. Focus solely on the forces at play within the minds of explorers is simply not a satisfactory answer when trying to understand why generations of Briton’s gave so much in pursuit of the poles.

    When I began reading in October, two things were immediately obvious. Firstly, historians have barely scratched the surface of what polar study has to offer to the study of history. The vast majority of polar histories are biographical, choosing to portray expeditions not as part of the fabric of their era but as stand-alone curiosities. Secondly, those historians who had combined polar exploration with the broader strands of British society (naturally) did not agree with each other. One strand saw polar exploration as a product of imperial thought, and all its associated evils. The other champions scientific advancement and industrial impetus.

    I knew my dissertation needed to address both of these points. It had to try to tie polar expeditions into the prevailing themes and concerns of the Victorian and Edwardian eras, whilst acknowledging the ongoing debate between imperial drive and scientific determination. After what felt like a lifetime agonising about how I could manage this in only 10,000 words, I decided to compare the two competing debates. As these two themes connected polar exploration the broad streams that made the zeitgeist of the time, I reasoned that by comparing the ongoing debate I could both demonstrate analytical skills and contextual knowledge.

    But here the methodological reasoning ended. As I began to read more and more, I understood less and less. It was like drowning in paradox. The concepts I was dealing with were even more complicated than I first realised. Elements such as social Darwinism and British morality kept figuring in both the secondary literature and primary sources. Eventually, I was trying to grapple with the twisting contradictions that propped up British society. It was a lot.

    But luckily, I had help. My dissertation supervisor, Matt Heaslip, was always available for questions, pointing me in the right direction on subjects such as Pax Britannica. I also had my teaching to fall back on. Over my three years of undergraduate study, I had studied the British Empire in depth, particularly its seedy underbelly. Because of this I already knew something of the driving forces underneath the empire and such I had a launch pad into an incredibly dense and difficult subject. That, I think, is the key. It is important to fall back onto what you know and have confidence in that base rather than fixating on what you don’t know. Only after I learnt this could I begin to dive into the substance of my dissertation.

    What I found took me by surprise. The dual forces of racialised thinking and scientific endeavour were littered throughout the primary sources. You could see it in the press, you could see it in expedition publications. Underneath everything there was a perplexing blend of pseudoscience  that sought to justify the human and financial expense undertaken by the likes of Scott. It was a peculiar blend of social influences that seemed to take on another dimension every time I took another look at my evidence. Explorers themselves didn’t necessarily embody originality. Yes, demonstrated bravery that is vanishingly rare in this world. But instead of being pulled to the poles by internal personalities they were pushed by the conditions of Britain at the time.

    The true balance between internal drive and external pressure is difficult to understand and would require far more than 10,000 words. But looking back it is clear to me that these men themselves were products of their time in the most Victorian way. I do worry that perhaps this is unnecessarily dismissive of Scott, Shackleton and company. After all, they risked everything the most hostile environment of all, and someone doesn’t do that with extraordinary determination. But I also realise that by showing the conflicted nature of both explorers and society alike we achieve a fuller and more complete picture of this imperial niche.

    I’m not ashamed to say I loved writing my dissertation. It was my first foray into history not shaped by an essay question of characterised by casual interest. It was also difficult. It was frustrating and at times agonising. But at the end of the day, I believed in my ability and knew I had 10,000 words to write and no amount of giving up would get them written. My advice to anyone reading this is three-fold. Firstly, work to your strengths. You cannot build without foundations. And secondly, keep ploughing on no matter what. You might only manage twenty minutes a day, but it all counts as progress even when it doesn’t feel like it. And lastly, try not to lose the passion. Watch films, read stories and keep that interest in your topic ignited. If you manage all three, then you will succeed no matter what gets thrown at you.

    Good luck and go well.

  • Tombfinders: Working with the Napoleonic past

    Tombfinders: Working with the Napoleonic past

    As part of the Working with the Past Module, four second year undergraduates from the University of Portsmouth’s BA History program (Izzy Turtle, Emily Harris, Damiana Kun and Rebekah Money) have been working with the Napoleonic & Revolutionary War Graves Charity (NRWGC) on a dedicated project to locate Napoleonic era veterans, locating and assessing their graves, and working to restore them. Founded in 2021, the NRWGC (UK Registered Charity No 1196849) was founded by Zach White to honour the memory of veterans of all nationalities who served between 1775 and 1815. The charity does this by locating veteran’s long forgotten graves, cleaning and restoring them where appropriate, and reburying disinterred veterans so that they can have the dignity of a final resting place.

    Highland Road Cemetery, Portsmouth
    Highland Road Cemetery, Portsmouth

    In this podcast launched on Sunday 5 May 2024, project members talk about their recent efforts to find the graves of Napoleonic veterans across Portsmouth, and their experiences of cleaning graves. The students travelled to the Hampshire County Archive in Winchester, before narrowing down their search to Highland Road Cemetery, spending hours tracking down and assessing graves in the cemetery, and the rolling their sleeves up and cleaning one of the graves – that of Major General Dwyer, of the Royal Marines Light Infantry. Their research also saw them request and receive access to St Ann’s Church, on the Portsmouth Dockyard Naval Base, as they went searching for a little-known memorial to Admiral Maitland – the man who arrested Napoleon.

    To find out more about the efforts of the NRWGC, and the support their work, go to www.nrwgc.com

  • PhD by Publication – Top tips from an award-winning UoP history graduate student

    PhD by Publication – Top tips from an award-winning UoP history graduate student

    The collier, from George Walker, The Costume of Yorkshire (1813)
    The collier, from George Walker, The Costume of Yorkshire (1813)

     

    Anthony Annakin-Smith is a local historian with a diverse range of interests focused on maritime and industrial history in the late eighteenth and early nineteenth centuries.  Anthony was awarded the PhD by Publication from the University of Portsmouth in 2022 for his work on The Neston Collieries, 1759-1855: an Industrial Revolution in Rural Cheshire. The collieries date from the eighteenth century, when the main colliery was owned by local magnates the Stanley family, and were more successful than its better-known contemporaries in nearby south-west Lancashire and North Wales. It was the first large industrial site in west Cheshire and introduced the area’s earliest steam engine. Anthony’s supervisors for his doctorate were UoP history lecturers Dr Mike Esbester and Dr Karl Bell.  His Commentary in association with his published work were awarded the Association for Industrial Archaeology’s Dissertation Prize for 2023. To read more about Anthony’s research click here.

    The process of undertaking a PhD by publication can be pretty daunting. Where to start? What will the examiners be looking for? Do I just re-hash the work I’ve already done?

    As a PhD by Publication is a relatively unusual approach to a doctorate there is little guidance ‘out there’. Of course, your supervisors will give you plenty of support but I found it still took me quite a while – too long! – to get into the right mindset. In the end my work paid off  – I got the doctorate (passing the viva without corrections) and, to boot, later received the Association for Industrial Archaeology’s Dissertation Prize. It seems, then, that I ultimately ‘got’ what the PhD by Publication is all about. As such, here’s a list of tips covering things I learnt along the way which may be of use to others.

    • Start with your goal in mind. I focused on the wording in UoP’s ‘What is a PhD by Publication?’ which suggests you should be able to demonstrate your work’s ‘coherence, significance and contribution to knowledge’.
    • Read other PhD by Publication Commentaries to give you ideas about structure, concepts, language etc. but …
    • … don’t use others’ work as a straitjacket. This is your work so use a structure and approach that best suit your work and your goals.
    • Step back from your published work. You are not meant simply to repeat your findings but instead to scrutinise them from new perspectives. I found myself discussing concepts in the Commentary that never featured (and didn’t need to) in the published work.
    • Have regular meetings with your supervisors (online in my case). This is obvious but needs stating. Agree a schedule and/or meeting frequency with them. Not only is the discussion at the meetings beneficial but the planned dates gives a point of focus for prior drafting and submission as well as for preparing questions you may have.
    • Have confidence in your work and opinions Listen to what your supervisors say and consider their verbal and written comments carefully. However, ultimately it’s your Commentary based on your publication(s) so don’t fret too much about dealing with every point they make –  it’s OK to disagree or ignore points if you feel it’s justified.
    • Maximise use of the UoP Library. While there are plenty of online resources in the library, as a remote student who never even visited Portsmouth, I also made much use of the facility for physical books to be posted. This was quick, easy and very helpful.
    • Use resources elsewhere. UoP Library did not have access to everything I needed so I also used resources from another academic library to which I had routine access as well as making day-visits to other institutions.
    • Make use of reviews. Your publication(s) has/have probably been reviewed publicly in journals or elsewhere. Use insights from those reviews and leverage them to give independent authority to what you have to say.
    • Have a mock viva. This was very useful for highlighting potential lines of questioning as well as the style of the real thing.
    • Prepare for your viva well. I spent ages preparing answers to a myriad of potential questions, prompted both by the mock viva and by my own thoughts. In retrospect I probably over-prepared but the approach gave me confidence for the examination.
    • The viva is not as scary as you might expect (the need to ‘defend’ my work always worried me; it suggested I would be facing a bank of aggressive questioners looking to trip me up!). It was nothing like that and I was really surprised to find that I actually enjoyed it. I very definitely had not anticipated that!

     

     

  • London’s female gangsters: press responses and gendered implications 1890-1940

    London’s female gangsters: press responses and gendered implications 1890-1940

    On 17 May 2023 University of Portsmouth PhD researcher, Emily Burgess, presented her paper on the press’s treatment of female gangsters from the late-nineteenth to mid-twentieth centuries. If you missed the paper, the recording is available to watch here. You will need the following password T19#MUVU to access the recording. An abstract for Emily’s paper can be found below.

    Emily is a graduate of the University, having studied for a BA (Hons) History degree between 2017 and 2020 (awarded First Class honours) and an MRes in History between 2020 and 2021 (Distinction). She was awarded the ‘Robbie Gray Memorial Prize’ for the Best Undergraduate History Dissertation in 2020, and started her doctoral studies in October 2021. Her programme of research is titled: ‘The monstrous to monarchical underworld: A study of female gangsters and their impact on the public imagination 1890-1939’.

    Abstract
    Fitting directly into constructs of the ideological ‘underworld’ as well as challenging aspects of widely accepted ‘masculine’ and ‘feminine’ criminality, the female gangster was presented contemporarily as an androgynous construction; directly opposing class and gender conformity which was heavily embedded in society. This period, ranging from the late-Victorian to the start of the Second World War was one of contemporary challenges and changes, including transforming press reportage and the acceleration of the ‘public imagination.’ Satiated with stories of the ‘women leaders of London underworld gangs,’ female gangsterism became a phenomenon unique to late-nineteenth and early-twentieth century urban Britain. By examining female gangsters, their notable crimes, and their refraction within the ‘public imagination’ through reportage, this paper seeks to examine the gendered implications of gangsterism, and the way in which female gangsters were fixated upon by society.