Photographs provide compelling insight into the past, but can we trust them to give an accurate depiction?[1]. Second-year UoP history student Becky Platt shows how a photograph seemingly showing an argument between a woman and a protestor during the poll tax riot in London in 1990, is shown to have a very differing story from […]
Tag Archives | visual sources
Charting the major milestones of the Space Race: Wally Fawkes and the satirical cartoon
On 1 March 2023 the renowned jazz musician and cartoonist Wally Fawkes passed away aged 98. In his long career, Fawkes illustrated satirical cartoons for The Daily Mail under the pseudonym ‘Trog’. His most famous creation was the comic-strip ‘Flook’, but his illustrative work increasingly focused on British politics. In this blog, alumnus student Daniel Millard […]
Researching the letters of Allied service personnel in WW2: A student podcast
Recently, the internationally-renowned museum, The D-Day Story, published on their website a podcast recorded in 2022 by three second year History students, Amy Deighton, Jessie Rickman and Sam Marchetti. The students, who are now in the final year of their studies, worked with the museum’s archives as part of their assessment for the ‘Working with the Past’ module, […]
“There are no revolutions in well-governed countries” – British film and the Russian Revolution
In this blog, Rob James explores how the events of the 1917 Russian Revolution impacted British film production in the mid-twentieth century. Rob tells us that the chance of a film being made depicting those tumultuous events depended on how they were presented. If the film demonstrated any sympathy towards the revolutionaries, then a ban […]
The domestic colonisation of eighteenth-century Scotland
Third year student Kathryn Watts chose an original focus for her dissertation in investigating the eighteenth century attack on Scottish culture. As she argues below, colonialism is often looked at in the global context, but the domestic colonialism of Scotland (and Ireland) predated it, and provided a prototype for many of the colonialist ideas of […]
Sinister Stalin, the Cold-War Octopus
The cartoonist David Low’s depiction of Stalin as an octopus, published in 1948, sits within a long-standing tradition of monstrous, dehumanised depictions of political enemies. Octopi in particular have been used in the past to represent the sinister ambitions of Prussia, Britain, France, Nazi Germany, America and the oil industry, amongst others. But as second-year […]