History@Portsmouth

University of Portsmouth's History Blog

Tag Archives | film

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Using Visual Sources: Saturday Night and Sunday Morning

By on May 6, 2019 in Learning in Focus

Mark Cleverly, a second year History student at the University of Portsmouth, has written the following blog entry on the 1960 ‘New Wave’ film Saturday Night and Sunday Morning (1960) for the Introduction to Historical Research module. Mark discusses how the film reveals much about changing social attitudes in the ‘swinging sixties’. The module is co-ordinated by Dr Maria Cannon, Lecturer in Early Modern History at Portsmouth. The proverb ‘a picture is worth a thousand words’ is certainly a cliché in the modern era, but it superficially highlights the value that can be found in visual sources. If a still image can muster this level of inquiry, then what of […]

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Going to the cinema? The changing uses of Portsmouth’s cinema buildings

By on August 24, 2018 in Learning in Focus, Public History

In this blog, the second in a series of posts looking at sites of historical interest in Portsmouth, Dr Rob James, Senior Lecturer in History, discusses the changing uses of the city’s cinema buildings. Rob specialises in researching society’s leisure activities and teaches a number of units on film and the cinema, including, as part of the Problems and Perspectives unit, ‘History at the Movies’ in the first year, ‘The Way to the Stars: Film and cinema-going in Britain, c. 1900-c. 2000’ option in the second year, and a Special Subject on ‘Cinema-going in Wartime Britain, 1939-1945’ in the third year. Going to the cinema was an important leisure pastime […]

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“There comes a time when you’ve just gotta’ be a man”: An analysis of shifting on-screen representations of British masculinity in the post-Thatcher period

By on July 10, 2018 in Research in Focus

“Sam’s dissertation was an outstandingly researched piece of work. It synthesised contextual and historiographical issues regarding masculinity and film in the post-Thatcher era in a conceptually interesting way, and made great use of visual sources as a cultural lens from which to understand anxieties surrounding changing concepts of masculinity in the late-twentieth and early twenty-first centuries. Sam demonstrated an excellent understanding of film culture, not just in the period studied, but across the twentieth century, and the way in which he revealed how certain masculine filmic archetypes were shaped and modified in response to the shifting contemporary climate was nothing less than compelling.” – Dr Rob James, Sam’s dissertation supervisor. […]

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Odeon cinema, North End

‘Make your public curious’: The highs and lows of being a cinema manager

By on March 30, 2018 in Research in Focus

In this blog Dr Rob James, Senior Lecturer in History, discusses the challenges of being a cinema manager in Britain in the first half of the 20th century. Rob specialises in researching society’s leisure activities and teaches a number of units on film and the cinema, including, as part of the Problems and Perspectives unit, ‘History at the Movies’ in the first year, ‘The Way to the Stars: Film and cinema-going in Britain, c. 1900-c. 2000’ option in the second year, and a Special Subject on ‘Cinema-going in Wartime Britain, 1939-1945’ in the third year. Going to the cinema is the result of a series of choices. A number of […]

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Re-using the past: history on film.

By on August 4, 2017 in Learning in Focus, Public History

In this blog Dr Rob James, senior lecturer in history, reflects on the issue of ‘truth’ in historical feature films, revealing how filmmakers have frequently used past events to comment about contemporary situations. Rob specialises in researching people’s leisure pursuits, and teaches a number of units on film and the cinema, including his second year option unit ‘The Way to the Stars: Film and cinema-going in Britain, c. 1900-c. 2000’ and the final year Special Subject strand ‘Cinema-going in Wartime Britain, 1939-1945’. As James Chapman has noted in his masterly book Past and Present: National Identity and the British Historical Film, ‘a historical feature film will often have as much […]

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