English Civil War royalism has often been depicted as the preserve of the elite, but this was not necessarily the case, as MRes student Natalie Lejeune found in her research into the activities of gunmakers during and after the civil wars. Prior royal service often inclined these specialist craftsmen towards the Royalists initially. After the Royalist defeat, they transferred their work to a new Republican Government prepared to tolerate their dubious loyalties in exchange for their much-needed skills. Yet their loyalties remained conflicted, with some, including female-gunmakers as well as men, secretly supplying arms to Royalist conspiracists on the side, a pattern of mixed loyalties which mirrors those in France […]
Tag Archives | women’s history
Alice Diamond, ‘Queen of the Terrors’ in the interwar London underworld
Emily Burgess, who studied for PhD in history at the University of Portsmouth, has had a paper published in Women’s History Review which is free to read here. The paper looks at press depiction of Alice Diamond, leader of the interwar Forty Thieves gang. By mythmaking, framing Diamond as an ‘Underworld Amazon’, ‘Giant’, and ‘Queen of the Terrors’, the press was able to project female gangsterism as a form of ‘internal terror’ to fuel fears over gender, post-war brutalisation and the changing interwar landscape.See a previous post about Emily’s work on London’s female gangsters here. Emily is a graduate of the University, having studied for a BA (Hons) History degree […]
The misrepresentation of Catherine De’ Medici’s female rule
For her third-year dissertation UoP history student Sadie White looked into representations of the French Queen Catherine de’ Medici, one of several late-sixteenth century female rulers famously denounced by John Knox in his First Blast of the Trumpet against the Monstrous Regiment of Women (1558). As Sadie describes, Catherine, foreign, from a family considered inferior in status to the French monarchy, no great looker, and barren for the first ten years of her marriage, has had a hard press over the years, both in her own time, and still today, as represented in contemporary TV and film drama. She is a salutary reminder of how female rule continues to be […]
“How can you be an artist and not reflect the times?” – studying Nina Simone and her times
Below Pauline Standley describes the experience of studying for a master’s degree in history (MRes) at Portsmouth. She looked at the role of Nina Simone as a civil rights activist, a feminist, and someone who reflected the broader socio-political shifts of her time. Pauline’s supervisor was Dr Lee Sartain. Nina Simone. For many, her name immediately brings to mind her iconic, richly textured voice, often accompanied by signature sounds of the trumpets and piano in timeless classics like “I Put a Spell on You” or “Feeling Good”. While these songs undoubtedly capture her unshakeable legacy, Nina Simone is also a reservoir of intersectional experiences that reveal much about the socio-political […]
The long-term impact of Japanese Imperialism in China, 1931-1945
Third-year UoP student Brandon Lawson used his dissertation study to discover more about Asian history in the twentieth century, a topic he felt deserved more attention in historical studies. His dissertation was entitled Shadows of war: “Justice” and geopolitical tension caused by Japanese Imperialism on China, 1931-1945. Brandon’s supervisor was Dr Rudolph Ng. The conquest of Chinese territory by the Imperial Japanese Army in the 1930s led to a horrific and deadly campaign across the land, decimating the lives of their victims and cities in their path across vast swathes of Asia. However the impact that the territorial expansion had on China society spanned many decades up to the modern […]
Exploring the transgressive use of clothing by female groups from the 1920s to the 1970s
Emily Jays graduated in Summer 2021 with a 2:1 in History and Sociology. Her dissertation was titled “Transgressing Gender Norms and National Identities Through Dress: Three 20th Century Case Studies”. This explored how clothing was used by flappers within 1920s America, butch lesbians and transgender women in post-1950 Britain and Muslim women and the veil in French Algeria and modern day France. She is now studying a Master of Research in Humanities and Social Sciences at the University of Portsmouth, with an intersectional approach on the relationship between working-class women, higher education and their habitus. She is about to start the process of applying for PhDs, in which she hopes […]