History@Portsmouth

University of Portsmouth's History Blog

Tag Archives | visual sources

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Sinister Stalin, the Cold-War Octopus

The cartoonist David Low’s depiction of Stalin as an octopus, published in 1948, sits within a long-standing tradition of monstrous, dehumanised depictions of political enemies.  Octopi in particular have been used in the past to represent the sinister ambitions of Prussia, Britain, France, Nazi Germany, America and the oil industry, amongst others.  But as second-year UoP History student Georgia Hutton explains, Low’s octopus critiques both Soviet policy and contemporary Western-bloc attitudes towards it.  Georgia wrote this piece for the second-year module, Danger! Censorship, Power and the People. A cartoon by David Low for the Evening Standard, on 15 April 1948, reveals a great deal about the British, contemporary Western, perspective […]

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Using Visual Sources: Photographs as historical documents

Hannah Moase, a second year History student at the University of Portsmouth, has written the following blog entry on a photograph of the National Association Opposed to Woman Suffrage headquarters for the Introduction to Historical Research module. Hannah uses the photograph to discuss the benefits – and limitations – of these visual historical documents in helping us understand past societies. The module is co-ordinated by Dr Maria Cannon, Lecturer in Early Modern History at Portsmouth. The National Association Opposed to Woman Suffrage (hereafter NAOWS) was founded in 1911 and was a key organisation in America that fought against the women’s suffrage campaign. [1] With so much history focused on the […]

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Using Visual Sources: Saturday Night and Sunday Morning

Mark Cleverly, a second year History student at the University of Portsmouth, has written the following blog entry on the 1960 ‘New Wave’ film Saturday Night and Sunday Morning (1960) for the Introduction to Historical Research module. Mark discusses how the film reveals much about changing social attitudes in the ‘swinging sixties’. The module is co-ordinated by Dr Maria Cannon, Lecturer in Early Modern History at Portsmouth. The proverb ‘a picture is worth a thousand words’ is certainly a cliché in the modern era, but it superficially highlights the value that can be found in visual sources. If a still image can muster this level of inquiry, then what of […]

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History & practice – images of wellbeing

In this post, Mike Esbester discusses how his research into the history of communicating health and safety messages is linked to a current initiative to promote wellbeing and better awareness of mental health at work and beyond. ‘History is more or less bunk’. So Henry Ford claimed – rather unfairly, I would suggest. There’s a great deal to be gained from studying and understanding the past, something historians and others have been pointing out for a very long time. I’m not going to rehash that here, other than to note that in addition to the analytical and critical skills gained from engaging meaningfully with the past, the insight it brings […]

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Using Visual Sources: “Ein Volk, ein Reich, ein Führer!”

Nia Picton-Phillips, a second year History student at the University of Portsmouth, wrote the following blog entry on a Nazi propaganda poster featuring Adolf Hitler for the Introduction to Historical Research Unit. Nia discusses the ways in which the image was used to promote various aspects of Nazi ideology. The unit is co-ordinated by Dr Maria Cannon, Lecturer in Early Modern History at Portsmouth.  The use of visual sources as a means of understanding the past has transformed historical knowledge. The ‘pictorial turn,’ as suggested by W. J. T. Mitchell, was “declared a new cultural phenomenon: a transition from a culture dominated by the book to one dominated by images.” [1] […]

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Using Visual Sources: Equestrian Portrait of Charles I by Anthony van Dyck

Holly Chambers, a second year History student at the University of Portsmouth, wrote the following blog entry on the portrait of Charles I by Anthony van Dyck for the Introduction to Historical Research Unit. Holly discusses the ways in which we can use visual sources such as this to understand more about society at the time the portrait was commissioned and painted. The unit is co-ordinated by Dr Maria Cannon, Lecturer in Early Modern History at Portsmouth. The Equestrian Portrait of Charles I by Anthony van Dyck is currently on display at the National Gallery in London. [1] The portrait shows King Charles I on horseback, riding as if at the […]

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