History@Portsmouth

University of Portsmouth's History Blog

Tag Archives | fascism

Certificate of Nationalisation cropped

Name and shame: how I reclaimed a lost identity

The history blog is very pleased to host this guest blog.  In it Jeremy Schultz explains the reasons behind his grandfather’s decision to change his Jewish surname at the outset of World War II, and his own recent decision to change his name back again.  Jeremy is a psychotherapist, and the brother of Deborah Shaw, Professor of Film and Screen Studies at the University of Portsmouth.  Jeremy’s family history illustrates many of the historical issues encountered by our history students in their study of twentieth-century history: the pogroms in Tsarist Russia that drove many Jews to emigrate; racial prejudice during the 1930s against Jews in both Germany and Britain; the […]

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cape town cropped

Empire and its Afterlives 3: Using primary sources to avoid simplistic narratives of history

This is the third post in the Empire and its afterlives series. The introduction can be found here and the second installment here.   Several students mentioned current debates around #RhodesMustFall in South Africa and the UK and the idea of decolonising the curriculum, in order to reflect on what that might mean for the teaching of colonial history and its legacies. They had worked on a range of publications and reflections on the topic in class, and drew on their own reading as well to inform their discussions of the curriculum. Some students outlined ways in which black history and black political philosophy could be made a full part of […]

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Poster from the Alexander Korda filk Knight without Armour

“There are no revolutions in well-governed countries” – British film and the Russian Revolution

In this blog, Rob James explores how the events of the 1917 Russian Revolution impacted British film production in the mid-twentieth century. Rob tells us that the chance of a film being made depicting those tumultuous events depended on how they were presented. If the film demonstrated any sympathy towards the revolutionaries, then a ban was inevitable. Rob’s research covers society’s leisure activities and how they were shaped and controlled from both within and outside the entertainment industry. His research feeds into a number of optional and specialist modules that he teaches in the second and third year. In the 1934 film Princess Charming, produced by Michael Balcon, one of […]

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